Gæt en Pitchfork-karakter

[secondtoughestintheinfant]

6.9. Selv ikke #forken kan forsvare Pustervig-covers af "Blackbird" og "Jolene".

The immediate head-turners on Cowboy Carter are the reinterpretations of two of pop’s most enduring classics: the Beatles’ “Blackbird” and Dolly Parton’s “Jolene.” The former, a straight-ahead cover, is an opportunity to showcase the divine voices of Adell, Spencer, Roberts, and Kennedy. The latter is a little more distinctive: Beyoncé adds new lyrics to the original, transforming it into the kind of fiery rebuke that would fit right in on Lemonade. As if to ward off skepticism from country purists, Beyoncé’s “Jolene” is introduced by Parton herself, who nods to “Sorry” in a spoken word interlude: “You know that hussy with the good hair you sang about? Reminded me of someone I knew back when, except she has flamin’ locks of auburn hair, bless her heart. It’s just hair of a different color, but it hurts just the same.”

Don't confine them. Lyder som om, der er en 8.5 på vej. Mindst.

Det, der giver mig håb, er, at Pitchfork var stunning and brave nok til at give singleforløberen en velfortjent snitter.

[Regular John]

Der er ikke en jordisk chance for, at den får under 8.0.

[Antimatter]

Du ved det.

[secondtoughestintheinfant]

[Antimatter]

Kibbutz Carter? Det er sidste del af #trilogien.

[Ællington]

Hvem photo shopper Nasser Charder op på den hest?

[Dronekræmmeren]

6.9. Selv ikke #forken kan forsvare Pustervig-covers af "Blackbird" og "Jolene".

Don't confine them. Lyder som om, der er en 8.5 på vej. Mindst.

Ro på. Det blev kun 8.4

[busterask]

Aprilsnar?

[secondtoughestintheinfant]

Må være den BNM i #forkens historie med flest kritiske indvendinger.

[Regular John]

Hvad sagde jeg!